About

My sculptural work explores processes of perception and interpretation that operate beneath or beyond human natural language. I'm interested in how we relate to the material world through intuition, sensation, and embodied experience.

I use mainly papier-mâché for its ability to convey textures, surfaces, and forms that speak to the body. I'm interested in how objects can invite a pre-linguistic encounter.

My practice is influenced by embodied cognition, particularly the idea that meaning is not fixed in language, but emerges through relations—between materials, bodies, and environments.